| You can
catch Unplugged & Intimate at the Bier Keller every
Tuesday evening. This
is a classy venue that features classy performers, and to top
that its also free entry!
You can even have a meal when you watch.
Ive never seen this place empty and the sound
technicians do a wonderful job. It
really makes for a top night out.
There
were ten acts tonight, all of which deserve a mention, but I
shall talk about the ones that had the most impact on their
audience.
A
few weeks ago I reviewed a ladies
night
here and I couldnt believe my luck when I saw that Ginni
Hogarth
had returned. She writes inspiring lyrics that evoke all sorts of emotions,
and captivates the crowd with her unique voice. She played a couple of mellow piano tunes but really comes
into her own when playing her guitar. During
Big Yellow Sun, Ginni stomps her feet, curls her lip and
projects confidence daring to look right into the eyes of her
audience. Her album Between These Walls, is due for release in the near
future and you can find out more by emailing.
Or watch this space of course.
Local
boys DaftLane
were there, promoting their EP which will be available early
April. They
played a three-song set, one of which was the title track Cast
Aside (like old toys), and as ever they were outstanding. They
always go down well as they have a universal appeal and are
regularly invited back to the Bier Keller. You can see a fully amped set at Bar
Oz
in Reading on Sunday 25 March 2001.
Of
the two songs played by Simon Freeman (and friends) it was the
first that lasts in my memory. A
witty number about the ridiculous arguments possessions can
cause when a relationship fails Ill only talk to you
when you return my Bob Dylan CDs and my baseball cap, or at
least when Hell freezes over. Ive
just listened to this guys album, which is in the final
stages of the mix. It features a beautiful song about his
daughter and how he feels about another man raising her. Very
moving. I look
forward to hearing him again and this type of acoustic
environment suits his gentle voice perfectly.
Amrit
Sond uses an implement called an Eebo, which clips onto his
guitar. Big
Country has also been known to use one. It
excites the strings through vibration and produces ambient
almost eerie sounds. He doesnt sing, as he doesnt need to. Amrit uses his guitar like Bobby McFerrin uses his chest, he
drums on it, flicks his hand across the frets to generate one
type of sound, taps on the strings teasing them, and then
pulls his down sharply to create another. An
experimental, almost freeform jazz style that crosses over
into an ethnic even Spanish feel at times. The
audience were totally mesmerised and not a word was uttered
throughout. Very
interesting indeed. Amrit
will be playing at Windsor Arts Centre 21 April 2001 and
Wit-Fest on 30 June 2001 in Wittenham near Wallingford. This
is a charity event to raise money for the Helen House
childrens hospice. Contact
by
email for more info.
The
last two acts were Ryan McDaid who played a happy song about
walking in the rain, and Jerry Power.
Apparently they do perform together sometimes but
decided to do their own thing on this occasion.
They both have wonderful voices and the charisma, that
is so often lacking in some one man and his guitar type
set-ups, to keep you interested.
By
Samantha Carter
14/03/01
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